Van and Lyle kick off their Andor series with Slate culture editor Jenny G. Zhang, diving into the show’s slow-burn opening arc where imperial bootlickers, jealous love interests, and rebels in the making collide on the Outer Rim. They discuss what makes Andor—a property of the Star Wars universe—feel different than its franchise kin, from its social realism to its psychological bite. If The Battle of Algiers looms large, so does Parable of the Sower, especially the show’s landscape of authoritarian company towns and the simmering hints of a revolutionary break.
They talk about the Preox-Morlana security force as East India Company meets Blackwater, and Deputy Inspector Syril Karn as the story’s omnipresent archetype—the insecure man desperate to matter. Just like the pathetic rent-a-cops Andor is forced to kill, and the equally envious Timm Karlo, another tragic loser who dies trying to make up for his fateful angst.
History appears to turn not so much on generals and emperors, but on the choices and contradictions of broken men. Men stuck in systems they didn’t build, and whose real breaking is yet to come.
Further Reading
“The Andor Dilemma: Pop Culture’s Place in Leftist Strategy,” by Van Jackson
“Introducing Andor Analysed, Part 1,” by Jamie Woodcock
Parable of the Sower, by Octavia Butler
The Hundred Years’ War on Palestine, by Rashid Khalidi
Teaser from the Episode
Andor Season 1 Trailer
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